When I heard about the latest Sigma lens, the 500mm f/5.6 DG DN Sport, I wanted to revisit the Yamnuska Wolfdog Sanctuary. The new lens sounded ideal because it is unobtrusive, lightweight enough to handhold easily, and has the reach to capture these elusive Wolfdogs in their natural surroundings.
Photography accessory and equipment company Sandmarc has announced a new Telephoto 6x lens for iPhone.
OM System may have only announced one lens last year, but it's starting 2024 much stronger with two new Micro Four Thirds offerings: a 9-18mm f/4-5.6 II and the 150-600mm f/5-6.3 IS.
Many camera manufacturers choose to support, or at least turn a blind eye to, third-party lens makers. Some even wholeheartedly embrace them. However, Canon has infamously taken a stance to deny third-party manufacturers access to its RF mount. The fascinating twist is that many companies were beginning to produce manual and autofocusing lenses before the crack-down, creating an exclusive market of very rare lenses that hit the streets before the curtain fell.
Jordan and I were naughty this year and Santa put something in our stocking that was less useful than a lump of coal. Naturally, we decided to review our gifts and see if there was any merit to mass-produced photo gear on the cheap.
In the early summer of 2023, I had an opportunity to play with the soon-to-be-released Nikon Z8. We met up with the Nikon crew in Yellowstone National Park to photograph some wildlife and the good folks at Nikon also had another surprise for us out there.
The world of mirrorless camera lenses is strangely devoid of professional 300mm lenses. That is, until now. Sony has released a brand new full-frame 300mm f/2.8 G Master lens and I had a chance to test it out.
Sony announced the 300mm f/2.8 G Master OSS, a new $5,999 telephoto prime that simultaneously promises new heights for image quality while also becoming the lightest lens in its class. In fact, it is the world's lightest large-aperture telephoto prime.
Canon has announced three new RF-mount lenses, including the RF 200-800mm f/6.3-9 IS USM super-telephoto zoom lens for full-frame Canon EOS R-series mirrorless cameras.
Alongside the Sigma 10-18mm f/2.8 DC DN Contemporary lens for APS-C mirrorless cameras, Sigma has announced the development of a new full-frame f/2.8 zoom lens, the Sigma 70-200mm f/2.8 DG DN OS Sports.
Nikon does not give many of its lenses a moniker; the Nikkor Z 58mm f/0.95 "Noct" was the only Z-mount lens to have an official title. That is until now: introducing the new Nikkor Z 135mm f/1.8 S "Plena".
TTArtisan has announced a 500mm f/6.3 telephoto lens for full-frame mirrorless cameras, including E, L, RF, and Z-mount.
Early last month, Tamron announced that it was developing a second-generation 70-180mm f/2.8 telephoto zoom lens for Sony E-mount. Today, Tamron has revealed new details about the zoom lens, including its release date and price.
The 105mm macro lens has been a long-standing staple lens for most professional photographers, and I have never met a wedding photographer who didn't have one in their kit.
Sony has announced the 70-200 f/4 Macro G OSS II, a follow-up to the original that was brought to market nine years ago. This new version improves basically every major aspect: it's smaller, lighter, focuses faster, adds macro, and takes sharper photos than the original.
Canon's newly announced RF100-300mm f/2.8 L IS USM lens is going to be an exceedingly rare optic for a while: the company doesn't expect to be able to deliver lenses this year, even to those who already ordered.
As a parent, you hope that your children will emulate your best traits, but also blaze new trails and achieve greatness beyond their own. You hope that lessons will be learned from your own mistakes and that your weaknesses will not be theirs. Is the Nikon Z9 a proud parent?
Canon has announced a new RF 100-300mm f/2.8 L IS USM lens which it says is designed to support professional users with a specific emphasis on photojournalists.
Photographer Nina Wolfe shoots gorgeous photos using forced perspective to show the Moon illusion, the optical illusion that causes the Moon to look much larger when it's closer to the horizon than when it's higher in the sky.
Leica has announced the new Vario Elmar SL 100-400mm f/5-6.3 lens, which is now the longest lens in its SL-series lineup. It is also joined by a new 1.4x extender that extends its reach even further.
Sony has revealed that it is developing a new 300mm f/2.8 G Master lens, but photographers won't be able to get their hands on it until early next year.
Tamron has made a name for itself by releasing a series of unique and nontraditional zoom lenses like the 28-75mm, 17-28mm, 70-180mm, and the renewed classic (for mirrorless) 70-300mm f/4.5-6.3 Di III RXD. The new version of the lens for Nikon Z (or Sony E) brings a bit of comfort and nostalgia back to the hands of any telephoto shooter.
Irix has announced a second version of its 150mm T3.0 cinema lens called the 150mm T3.0 Tele. It doesn't replace the previous version, but makes it more usable for a wider audience by improving the focus and aperture range and removing the macro designation.
Timelapse and landscape photographer Michael Shainblum has shared a tip-filled guide showing how he uses long exposures to capture some of his more creative waterfall images in the Pacific Northwest.
At first glance, the Tamron 50-400mm f/4.5-6.3 Di III VC VXD seems like Frankenstein’s monster of lenses. Super-telephoto lenses that provide a relatively wide focal length are uncommon and generally awful. Making a lens with such a wide range of focal lengths is complicated, yet Tamron made one that performs well across the zoom range.
The Tamron 50-400mm f/4.5-6.3 Di III VC VXD for Sony E-mount full-frame mirrorless cameras that was announced in July will be available in September for $1,299.
Tamron has announced a new 50-400mm f/4.5-6.3 Di III VC VXD for Sony E-mount full-frame mirrorless cameras which is expected to be available from this fall.
Nikon has announced the compact Nikkor Z 400mm f/4.5 VR S super-telephoto prime lens for its mirrorless Z-mount cameras and it says that this new optic is the lightest in its class.
At times, Death Valley can bring serene scenes of soft and picturesque sand waves, other times, as landscape photographer Michael Shainblum found out, it can also bring chaos, wind, and challenging shooting conditions.
Sony has announced the Xperia 1 Mark IV, a smartphone packed with features that put the needs of video shooters first but doesn't hold much back for everyone else. It's also the first smartphone with a true optical zoom lens that can shoot between 85mm and 125mm.
Wildlife photographer Steve Perry took the newly-announced Nikon PF 800mm f/6.3 VR S lens for a test drive and has shared his opinions on what to expect from the super-telephoto prime.
Nikon has announced the Nikkor 800mm f/6.3 VR S super-telephoto lens for its Z-mount cameras. While still a hefty lens, it is 48% lighter and 16% shorter than its F-mount counterpart thanks in part to the use of a Phase Fresnel (PF) front element.
One of my favorite techniques in photography is shooting panoramas with a telephoto lens. I got asked a lot about this technique, so I decided to create a full video and article in which I’ll go through the entire process.
Blessed with clear skies and soft sunlight, photographer Michael Shainblum visited Death Valley National Park where he captured the captivating sand dunes from early sunrise into the evening.
Currently, the longest-reaching telephoto zoom lens in the Nikon Z-mount system, the Nikkor 100-400mm f/4.5-5.6 VR S faces a lot of eager potential customers who are going to balance its longer focal length with overall size and cost. I can’t say it will disappoint.
During his trip to Kauai, one of the many islands in the Hawaiian archipelago, photographer Michael Shainblum captured his journey using a mix of wide-angle and telephoto lenses, making the most of the diverse natural beauty of the area.
In photography, the “cutting edge” doesn’t always happen with the most expensive gear; the ability to produce a quality lens at a price lower than ever is just as innovative. Canon’s RF 100-400mm f/5.6-8 IS USM is my case in point.
Samyang has announced that it has reimagined its manual focus 135mm f/2 telephoto lens that it launched in 2015 as a new and improved autofocus version, the AF 135mm f/1.8 for Sony E-mount.
Kenko Tokina has announced that the 500mm f/8 mirror lens that it teased last year is finally available and will be available for Canon EF, Sony E, Nikon F, Nikon Z, Fujifilm X, T-mount, and Micro Four Thirds.
While full-frame has received the most attention from camera manufacturers in recent years, there are plenty of great reasons to purchase smaller format sensors like APS-C. These systems can be cheaper, smaller, lighter, and offer greater reach over their full-frame counterparts.