Nikon's surprise acquisition of RED Digital Cinema this week represents a seismic shift in the cinema camera space. It also has far-reaching consequences not only for Nikon and RED but also for the rest of the digital camera industry, including Nikon's biggest competitors.
In a surprise announcement, Nikon has acquired U.S.-based cinema camera company RED which will become of a subsidiary of the Japanese photography giant.
Last week, RED unveiled a pair of new large-format global shutter cinema cameras, the V-Raptor (X) and V-Raptor (X) XL. Tedious model names aside, these cameras have 40.96 x 21.6-millimeter image sensors and make lofty promises concerning dynamic range.
Make way, Sony: RED Digital Cinema wants to get on the global shutter train. RED's V-Raptor (X) and V-Raptor (X) XL video cameras feature newly developed global shutter image sensors.
RED has unveiled its new Komodo-X digital cinema camera, which uses a brand-new sensor to bridge the gap between the existing Komodo series cameras and RED's higher-end Raptor cinema cameras.
"This is the ISO wheel on your camera, and sometimes, it does nothing," says Syrp Lab in its newest video. Syrp Lab takes a deep dive into ISO, explaining what it is, discussing Dual Native ISO and ISO variance, and providing the information people need to shoot the cleanest possible video.
RED's lawsuit against Nikon for infringing on its video compression patents has been dismissed, effectively giving Nikon permission to continue allowing compressed internal RAW video recording in its cameras.
YouTuber and software engineer Theo from t3.gg has called out RED for preventing other companies from making cameras that can compress video captured in 4K RAW or higher.
Frame.io has made good on the promise to bring its camera-to-cloud functionality to RED cameras with the launch of V-Raptor and V-Raptor XL public beta today.
RED Cinema is close to releasing its V-Raptor Rhino 8K S35 which has a native, fully active, Canon RF mount. The fact this relationship exists basically proves Canon is dead-set on selling its lenses above all else.
A video artist spent six months photographing flowers blooming and filming insects for an experimental timelapse video on life and war.
Adobe's Frame.io team has announced new Camera to Cloud (C2C) integrations with Red and Fujifilm, allowing for immediate and real-time uploading to Frame.io, where the footage may be edited, annotated, and approved remotely.
In May, RED Digital Cinema filed a lawsuit against Nikon, alleging that the data compression technology it uses in the Z9 camera violated its patents. Nikon has responded and argues RED's patent should never have been approved to begin with.
Almost six years ago, I spoke with industry experts about the state of memory cards and all of them told me that CFast was about to be a thing of the past. So did that actually happen? Is CFast really dead?
RED has sued Nikon for illegally copying its data compression technology. The lawsuit asserts that Nikon infringed on its patents through capabilities granted to the Nikon Z9 in the recent firmware 2.0 update.
CineStill has announced a new limited edition medium format red scale film called RedRum. The images made with the film have a monochromatic red and yellowish tint that the company says makes for "spooky" imagery.
RED has announced the V-Raptor, a new 35.4-megapixel full-frame camera that can shoot 8K at up to 120 frames per second and 4K at a blistering 240 frames per second.
The Leitz Photographica Auction will present a 2013 prototype model of a Leica camera designed by Jony Ive and Marc Newson at auction in June. The camera is a one-off prototype produced during the creation of the Leica M for (RED) camera, which sold at a charity auction for $1.8 million in 2013.
Filmmaker and YouTuber Potato Jet recently teamed up with first person view (FPV) racing drone pilot Paul Nurkkala to try something kind of crazy: they strapped Potato Jet's RED cinema camera to a custom-built, high-speed octa-copter and took it for a spin... and a flip... and a few more maneuvers besides.
Apple's recent attempt to invalidate one of RED's most important patents has failed. Earlier this week, a US court dismissed Apple's challenge to RED's main RAW video patent, allowing RED to maintain some control over Apple's ProRes RAW codec.
Last night, in a short post titled "Everything Changes" on the Red Hydrogen Forums, 70-year-old RED founder Jim Jannard shocked the RED community by announcing both his retirement and the end of the Hydrogen smartphone project.
Back in May, Apple quietly filed a legal petition to try and invalidate a key patent by cinema camera maker RED, and RED is not taking it lying down. The patent in question describes RED's "REDCODE" codec for visually lossless, compressed 4K video at 23fps and above—one of the patents at the very core of RED's history as a company and camera maker.
RED CEO Jarred Land took to the reduser.net forum this past weekend to drop a major teaser about the company's next cinema camera—a small form-factor camera called the Komodo that is "not larger than 4 inches in any dimension" and may feature Canon's RF mount.
RED and Facebook have unveiled Manifold, a new VR camera for shooting 3D and 360° imagery. It's a "first studio-ready camera system for immersive 6DoF [6 degree of freedom] storytelling."
It started with a classic Woody. Lake Tahoe has a world-renowned “woody” boat culture that promotes gleaming timber-hulled works of nautical art to skim across its deep blue water. One of the latest additions to the North Lake Tahoe waters is Tom Turner’s recently restored Riva Super Aquarama #64, valued at an astounding $750,000.
The camera companies RED and Lucid have unveiled a new 8K 3D/4V camera that's designed to work with the RED Hydrogen One modular holographic phone.
Over the past several years, director Phil Holland has been specializing in high-res, large-format aerial cinematography. This gorgeous video titled "Above NYC" is a flyover of The Big Apple shot in 12K using a special rig comprising 3 RED Weapon Monstro 8K VV cameras.
How does a 140-year-old lens perform on a modern $15,000 cinema camera? Photographer and filmmaker Mathieu Stern wanted to find out, so he paired his ancient (by photography standards) lens with a 5K RED camera to see what would result.
Cinema camera maker RED and Foxconn (best known for manufacturing the iPhone) have announced that they're teaming up to create affordable professional-grade cinema cameras for the general public.
What do you get when you pair an extremely high-end cinema camera with an extremely low-end still photography lens? LA-based filmmaker Gene Nagata of Potato Jet wanted to find out, so he mounted a $48 Yongnuo 50mm f/1.8 lens onto a $12,500 Scarlet-W RED Dragon 5K camera.
Want to see how RED makes its popular digital cameras that carry price tags of tens of thousands of dollars? The company released this 3-minute video that offers a behind-the-scenes look at its manufacturing and production facilities.
At the beginning of last month, cinematic camera manufacturer RED announced that its very first smartphone, the RED Hydrogen One, was in production. In this 6-minute video, tech reviewer Marques Brownlee takes a look at a couple of prototypes of the new RED smartphone which the company sent him exclusively to check out.
Ever wondered why the expensive cinema cameras cost what they do? In this featherweight vs. heavyweight comparison, Sam and Niko put a $50 Sony HDR-CX405 camcorder to the test against a RED Epic Dragon 6K cinema camera worth about $50,000.
The cinema camera company RED just made a huge announcement: its first smartphone. The new RED Hydrogen One is an Android OS smartphone that's being referred to as a "holographic media machine" for viewing and capturing "multi-dimensional" imagery.
It’s not exactly a camera that can slip in to a coat pocket, but the RED Weapon 8K can capture both 8K motion footage as well as 36MP still photos. Photographer and director Vincent Laforet believes the camera is a harbinger for the future of photography.
Did you think DxOMark's sensor scores topped out at 100? It turns out, no. RED's Helium 8K S35 sensor just scored a jaw-dropping 108, ten full points higher than the highest scoring full-frame sensor ever tested, the Sony A7r II.
The iPhone 7 Plus—and many other high end smartphone cameras these days—can capture some really impressive photos and video. If you were doubting that, just watch this comparison by Parker Walbeck of Fulltime Filmmaker. He compared the iPhone 7 Plus against his $50K RED Weapon, and was "blown away" by the results.
Canon uses a red ring on its L series lenses to signify quality. Leica just turned an entire lens red. It just unveiled a new limited edition version of the APO-Summicron-M 50 mm f/2 ASPH, the first ever Leica lens to come in a red finish.
Did you know the International Space Station has a RED Epic Dragon in its camera arsenal now? The 6K camera was delivered to the station back in January 2015, allowing astronauts to capture footage at 300 frames per second and 6 times more detail than before.
To show off their new recording abilities, astronauts have posted a couple of videos in which they play with floating orbs of water in the microgravity environment of space. The experiments have been a hit: the 1-minute video above has gotten nearly half a million views in just the past few days.
RED today announced the RED RAVEN, a 4K camera for the sub-$10,000 market that it has been teasing for some time now. It's a powerful and portable 4K, Canon EF-mount camera that costs "just" $5,950 -- an extremely low price when it comes to RED cameras.