Nikon's surprise acquisition of RED Digital Cinema this week represents a seismic shift in the cinema camera space. It also has far-reaching consequences not only for Nikon and RED but also for the rest of the digital camera industry, including Nikon's biggest competitors.
Make way, Sony: RED Digital Cinema wants to get on the global shutter train. RED's V-Raptor (X) and V-Raptor (X) XL video cameras feature newly developed global shutter image sensors.
7artisans announced a new 14mm T2.9 cinema lens designed for full-frame mirrorless cameras. It is the widest of the four primes in 7artisans' "Spectrum" series of cine lenses.
Sony has announced the Burano 8K cinema camera, the newest addition to the company's CineAlta family of digital cinema cameras.
Sigma has been celebrating its 10th year in the Chinese market this July and is capping the festivities with a 35mm f/1.4 DG DN Classic that has the same optical construction as the original lens but without coated elements, which emphasizes flare and lightens contrast.
NiSi has announced its new Athena series of cinema lenses ahead of NAB 2023. The five-prime-lens series covers full-frame image sensors with focal lengths ranging from 14mm to 85mm. The lenses will be available in Canon RF, PL, and Sony E mounts.
Samyang Optics has announced the V-AF lineup of lenses, a new series of "world's first" autofocus cinema lenses for full-frame E-mount systems. The new lenses are designed to allow creatives to shoot videos more conveniently.
In these brief but incredible videos, award-winning cinematographer Claudio Miranda discusses behind-the-scenes footage, logistics, and shares stories from the set of the 2022 blockbuster Top Gun: Maverick.
In the last few years, Chinese lens manufacturer Venus Optic has released a plethora of versatile, unique, and affordable fast aperture lenses for most camera systems on the market. Today the company has officially launched the latest lens in the Argus lineup, the Laowa Argus 45mm f/0.95 FF -- one of the first full frame 45mm lenses with a maximum aperture of f/0.95.
If you’ve been craving the ability to go from 50mm to 1000mm all in one lens, Canon has just what you’re looking for. Announced earlier today, the CINE-SERVO 50–1000mm T5.0–8.9 Ultra-Telephoto Zoom lens is being labeled 'world's longest 4K ultra-telephoto zoom lens for large-format single-sensor cameras," and it comes with a price tag that's as impressive as its zoom range.
When it comes to the type of glass used in still photography, versus the glass used in motion picture, there’s quite a dramatic difference in design, quality and price. Quite often, it's the last of those differences that is the most inhibiting for photogs who want to dabble around in motion picture.
To help ease that transition, Caleb Pike of DSLR Video Shooter has broken down a way in which you can convert still photography lenses into psuedo-cine lenses at minimal cost.
In his recent Twitter Q&A session regarding House being filmed with a 5D Mark II, director Greg …