My Photography Business Was Targeted by a Fake Check Scam
What would you do for this check? I'm photographer Dave Koch, and this is the story of how my real estate photography business was recently targeted by a fake check scammer.
What would you do for this check? I'm photographer Dave Koch, and this is the story of how my real estate photography business was recently targeted by a fake check scammer.
"Flambient" real estate photography involves combining flash and ambient light for beautiful, high-end results. In this article, I will show how you can capture great real estate images using high dynamic range (HDR) and flash techniques.
We photographers generally have long lists of projects we want to do and then we have our bucket list items -- those things we can only hope we someday get a chance to shoot. As a nature and landscape photographer, the big three on my bucket list were the Subway at Zion, Fly Geyser, and Yosemite’s Firefall.
I have been shooting real estate now for over a decade, and as dry and uninteresting as shooting homes may sound, I have found this a very rewarding niche in the photography world. Sure, there are dull, boring, or repetitive days, but then there are some you walk into a home and you just thank your lucky stars the Realtor called you on this one.
Just the other day, a tall metal “monolith” was discovered in the Utah desert. From what I have learned, this tower of shiny metal was placed in a very out-of-the-way location sometime in 2016 (based on its sudden appearance in Google Earth images in that time frame.) In the ensuing week, this object has created quite a public stir and generated even more theories about its origin.
One of the most hotly debated questions for landscape photographers is how to answer the age-old question, “Where did you shoot that?” While the question is simple enough, whether to answer (and how to answer) is an internal question many shooters contend with in the age of Instagram.
One of the great things about our jobs as photographers is that we get asked to do so many diverse things. To me, new and different assignments keep me fresh. Sometimes we get asked to do things that push our limits or are even beyond the bounds of anything we have done before. This is the story about how I approached a recent project that pushed me to the limit, and how I was able to tackle it and win.
"What lens did you use for that picture?" The only question less helpful to a growing photographer is probably, “What settings did you use for that picture?” Not because I think they are helping a newbie “cheat”, or because I might think it is copying, or ever -- God forbid! -- because I have some secret combination of shutter and aperture that is magic for me. It’s because it really doesn't matter.
What is the most important thing for a photographer? The simple and easy answer is the camera, or something closely related to it (like tripods or lights). And for many photographers that might be true… but not for a nature or landscape photographer. What we prize most, what we need most is uncompromising vistas of land, views unobstructed by the hand of man.