Cameras all have a pretty solid set of features and design elements that appeal to a wide range of users. But, for the most part, pretty much all of them lack a set of features that would make them all a lot more powerful and enjoyable to use.
If you didn’t believe your grade school math teachers when they said you’d use graphs in the real world, you’re about to. In photography, histograms can seem intimidating, but they are incredibly useful tools that are much easier to understand than they appear. Learning about histograms will help you understand exposure, post-processing, and the overall structure of a photograph.
If you want to manipulate the light and color information in an image using Photoshop, two of the most common tools for the task are Curves and Levels. But how do these two adjustments actually differ? And when might you choose to use one instead of the other? That's exactly what Aaron Nace explains in this helpful video.
Thanks to everyone who read my previous article on my process as a TV show set photographer, and all of you who got in touch with questions and comments. People had a range of questions, especially about how I use a waveform monitor, so I'll make this a fairly wide-ranging post to try and answer everything.
A long, long time ago, that is, in days of film photography, it was a rather difficult task to learn how to produce properly exposed pictures. There was no instant feedback and the only way to see how good of a job you did exposing the scene was to wait until the picture was developed.
How literally should you interpret a histogram? Where do the lines intersect between artistic expression and photographic technicalities? It’s important to first recognize that a histogram is nothing more than a mathematical representation.
Even though photography is an art form and the final result is considered to be an artistic expression of your thoughts and ideas, there is a strong technical side to all of this. You're using a very advanced technological camera to capture the images and you need to know and understand all sort of technical concepts.
Once you understand how to read a histogram, it becomes an extremely useful display of the data that your camera is seeing. This 10-minute video from Steve Perry examines what histograms are, how to use them to check exposure, and some tips for avoiding exposure clipping.
If you're obsessive about checking every exposure on your camera's histogram, this informative little video is a must-watch. In it, Matt Granger covers three common misconceptions about your camera's histogram that many photographers—even experienced shooters—might be falling prey to.
Alien Skin just released the new version of their flagship Exposure software, adding features like a histogram, History panel, and Spot Heal tool that make it a much more powerful stand-alone RAW photo editor than ever before.
Image histograms are useful tools that can be used to help properly gauge the exposure and contrast within a scene during shooting or to balance the tonality of a photograph in post-production. These days, histogram graphs can be found almost everywhere, with more modern digital cameras including live displays during composition. Today’s primer focuses on how to correctly read histograms and use them to your advantage.
They say that the DSLR’s better days are behind it, but it’s still the choice for most working pros. Rapid advances on point and shoots, ILCs (mirrorless interchangeable lens cameras) and smart phones have left the DSLR looking like the camera of yesteryear, so here are a few features we think every DSLR should have now.
A couple of weeks ago we featured a Google Chrome extension for overlaying "rule of thirds" lines over any online photograph. Now we have a different tool for examining other photographer's photographs: Image Histogram.
Created by developer/photographer Nick Burlett, it's a Chrome Extension that can quickly bring up the histogram of any online photograph.
We live in an analytical time, where most of the information we receive -- be it about the stock market or the presidency -- comes in way of charts, graphs, and other visual representations of hard (or sometimes soft) data. And it's this dependency on analysis that Sherwin Tibayan's diagnostic take on Robert Frank's "The Americans" -- the second "The Americans" spin off we've seen in two weeks -- focuses on.
Here’s a great video lesson by Greg Cazillo on understanding and …
