kodaktrix

Best Disposable Cameras in 2024

Once a staple of photography for the general populace, disposable (or “single-use”) cameras have become something of a niche -- most people who never stopped shooting film or those younger audiences who are coming to it for the first time choose to use an affordable SLR or point and shoot camera. The image quality is quite superior and a single roll of film is less expensive (though typically not by much) than a disposable camera.

40 Years in the Family: My Grandfather’s Hasselblad

Everybody loves a camera with history. For me, there is one specific camera with a lot of history and sentimental value: It is a Hasselblad 500C/M that has been in my family for about forty years. It was my grandfather's camera.

Creating the Best Possible Kodak Tri-X Black and White Film Simulation

Shooting black and white film over digital in the last few years has changed my approach to photography a great deal. The process of shooting film, from the tactility of the Leica M7 and Rolleiflex 2.8D cameras that I use, to developing and scanning, have given me a much deeper appreciation for the craft of being a photographer.

Film vs. Digital: Let’s Put It to the Test

Have you ever heard the argument that digital just doesn’t have the same look as film? Well, let’s put that argument to rest. I have painstakingly made my own Lightroom preset that I believe is 96% the same as my favorite film, Kodak Tri-X 400.

Ilford HP5 Plus Film Profile: NOT Just a Cheap Knockoff of Kodak Tri-X

We all know a knockoff when we see it. Fake Rolexes, certain Russian motorcycles, and pretty much anything bought off of a street cart in Hong Kong, these poor quality imitators just can’t match their real deal counterparts. It’s no different in the world of film. And one film in particular has garnered a reputation for being just such a cheap copy—Ilford HP5 Plus.

Kodak Tri-X: The Best Black-and-White Film Ever Made?

It came out first in 1940, when Europe was plunged into war but America was enjoying the dying days of calm before the storm. It was Kodak’s new black-and-white film, designed to be shot on location. The only problem was, it was only available in large format.