largeformat

Fujifilm GFX 100 II

Fujifilm GFX 100 II Review: Pushing Medium Format Boundaries

Fujifilm has come to dominate the medium format market and for good reason. Combining the ergonomic controls and autofocusing capabilities of its APS-C cameras with the colossal image quality from the 100-megapixel sensor has paid dividends for the company. Although Fujifilm also uses a 50-megapixel sensor, it's the latest sensors in the GFX 100 line of cameras that steal the show.

Cameras That Changed Photography Forever

I write about a lot of things here at PetaPixel -- reviews, guides, technical articles, opinion pieces -- but one of my favorite topics to write about is the history of photography. As an avid user and collector of vintage cameras and lenses, I have passionately absorbed as much knowledge about their history as possible over many years. Like studying world history, there is much value in understanding where we came from and what got to us where we are now.

Wax Paper Photography: Getting the Large Format Look With a $300 Soviet Camera

Anyone who has trawled through a historic photo archive knows the feeling of spotting a large-format photo. Like spotting a beautiful woman in a crowd, it’s hard to drag your eyes away. That depth and clarity, which seems to top reality itself, has only ever been possible with a film plane measured in inches rather than millimeters.

Ancient Pines by Loch Tulla, near the Bridge of Orchy, Central Highlands, Scotland, December 2012

How it Was Shot: Ancient Pines By Loch Tulla, Scotland

In December 2012, I made my first trip to the Bridge of Orchy. It’s a beautiful area just an hour and a half drive north of the hustle and bustle of Glasgow. It was a last-minute decision to head north from my home as there was the prospect of snow.

A DIY Remote Mechanical Cable Release for a Large Format Camera

I do mainly large format photography, and I often take my own self-portrait by using my pneumatic cable release that has a long cable and air bulb release. However, I have long been thinking about how to make a more modern kind of remote cable release. In this article, I will show how I created a DIY remote cable release.

The LomoGraflok 4×5 Instant Back Review: A New Twist for Large Format

Not many people own a 4x5 camera let along actually use them, which makes Lomography's new LomoGraflok 4x5 Instant Back particularly interesting. It allows those with 4x5 Graflok-equipped large format cameras to shoot with Fujifilm Instax Wide film It's niche, but should appeal to a very small, but passionate, group of photographers.

The Most Expensive Camera Lenses You Can Buy Right Now

Whether you are a working professional or a weekend hobbyist, the thrill of using truly exquisite gear is unmatched. We all work with what we have while salivating over what we cannot, and no matter how old we get, fancy toys never lose their luster. Do we need them? Probably not. Will we ever purchase them? Not likely. Will we spend hours staring at them? You bet. Nothing is as intoxicating to a photographer as good, outrageously expensive glass.

DIY Ultra-High-Res Digital Photos with a Large Format Camera

In 2014, I started my project Applied Metaphysics – Ground Truth on exemplary still life. The goal was to produce very large prints (2 to 9 square meters and more) at a high resolution so that people could look at them very closely.

How to Get a Large Format Film Look with a Smartphone Camera

I recently shared about how I turned my Afghan Box Camera into a 4×5 slide projector. In this article, I'll share another idea based on the Afghan Box Camera: to make use of my humble mobile phone camera to create a large format look with the box camera and its lens.

10 of the Most Expensive Cameras Ever

We all love interesting and perhaps somewhat obscure facts and anyone reading this site has at least a moderate interest in cameras -- and hopefully, their history. Part of that history includes the unique, weird, one-of-a-kind, and (you guessed it) extremely expensive cameras which have, in one way or another, played a role in paving the way to where we are today.

How I Converted My Afghan Box Camera Into a 4×5 Slide Projector

I have been shooting 4x5 color transparencies or commonly known as color slide film for many years but the best that I could enjoy them was to put them on the light table and viewing them through a loupe. Unlike my 35mm and 120 slides, I have never seen them projected big simply it is not easy to locate a 4×5 slide projector.