Guyana-born and England-raised photographer Ingrid Pollard is this year's Hasselblad Award Recipient. Pollard, an internationally acclaimed photographer, receives a Hasselblad flagship camera and lenses, a unique gold medal, and SEK 2,000,000 -- over $196,000.
As a child during the 1980s, I grew up with a weekly diet of Time magazine and the evening news. The famine in Ethiopia during the decade generated an endless stream of news filled with images of Black bodies, so much so that my entire conception of the continent was built off the tragedy of a single nation. To me, Africa was a desert wasteland of starving people – a thought conceived through photos.
Sports photographers and videographers usually work stealthily in the background, documenting athletes without distracting from the competition, but one cameraman in China stole the show after he outran the sprinters in a 100m race.
Twitter recently announced full-size images in mobile feeds, much to the delight of photographers. The company has now revealed that one of the reasons for the change is that internal tests revealed race and gender biases in its AI photo-cropping system.
Unstable. Criminal. Impoverished. Absentee fathers. Neglectful mothers. “A tangle of pathology,” as the Moynihan Report, a 1965 study on Black poverty, put it. For decades, the Black family has been denigrated as dysfunctional.
News outlets and social media accounts have been overrun with old photos that have been animated with MyHeritage’s “Deep Nostalgia” feature, an AI-based deep learning algorithm licensed from Israeli-based D-ID.
A private art college in France has apologized after it was discovered that one of its promotional ad photos was Photoshopped to show black students when there were none in an effort to appear more racially diverse.
For the first time in the 125-year history of the iconic fashion and lifestyle magazine Vogue, a black photographer will be behind the photo that graces the cover, according to a new report.
Here's a new 13-minute mini-documentary by photographer Jamey Price that shows what it's like to work as a motorsport photographer during a grueling 24-hour-long endurance race.
National Geographic made ripples today by acknowledging that the famous yellow-bordered magazine spent decades of its history publishing photographs and stories that were racist.
The clothing giant H&M sparked controversy this week after people noticed a photo in its online store that showed a black child model wearing a hoodie sweatshirt with the words: "coolest monkey in the jungle." Now the boy's mom is speaking out and criticizing the critics.
The myth goes that Crazy Horse refused to be photographed, believing the image would steal his soul. In truth, the apocryphal tale has no historical evidence. But taking photos is intrusive, and most people would agree upon some near universal norms regarding photography (e.g. taking photos of children in public).
Liberia-born and Los Angeles-based fashion model Deddeh Howard wants to promote more racial diversity in fashion advertising. For her new photo project, titled Black Mirror, Howard faithfully recreated major ad photos from top brands with herself as the model.
Can an algorithm-based service such as Google Images be racist? That's what people are suggesting this week after one man's video went viral.
The 100th running of the famous Indianapolis 500 race took place this past Sunday. Afterward, the IndyCar Series published this time-lapse video that boils the entire event down into a 1-minute visual experience.
Photographer Raymesh Cintron recently ran the Titans Race 10K ultimate outdoor challenge in Puerto Rico, an intense endurance challenge that's filled with mud and water. While competing, Cintron also carried along his Nikon DSLR and GoPro camera to document the race. Needless to say, he's is a firm believer in the idea that camera equipment should be used rather than babied.
During a horse race, the track itself probably isn't the place you should be wandering in order to snap the perfect action shot. Even if racers do tend to stay toward the inside of the track, things don't always go as expected. A photographer in Finland learned this lesson the hard way this past week.
I am troubled by what I have seen.
In recent weeks, we have witnessed terrible, on-going episodes within our borders through photos and video that speak volumes about the tragedy of race. Racism is as old as human history, and there is a long, rich history of capturing race conflicts in the US by photographers like Charles Moore, Bruce Davidson, Gordon Parks and others.
But in this post 9/11 world, the balance of power has shifted towards authority -- militarized officers outfitted with high-powered machine guns and body armor straight out of central casting for a Michael Bay film who seemingly police differently depending on the color of your skin.
As we've covered before, motorsport photography can be one of the most difficult types of photography to be proficient in. But not only is it one of the most difficult, it's also one of the most dangerous, as photographer Az Edwards shared with us recently.
Photographer Daniel Shea recently penned an op/ed on sexism in editorial photography that generated an important discussion about women in photography. It is a topic that I've thought about for a while now, especially as it relates to the diversity (or lack thereof) of the photographers who are most often promoted by the industry at large, whether by the photo media or the companies that produce the equipment and gear that we all use.
International fashion magazine Numero is raising some eyebrows with its choice of photography for an editorial titled, "African Queen." The piece features 16-year-old Ondria Hardin -- a caucasian model -- with heavily darkened skin.
Yesterday we reported on how US Track and Field saw its first “photo finish” tie this past …